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2014/06/16

ACE WONDER!

Storyboard for Mocom 4
Ace Wonder stands as the single biggest project I have ever worked on.  When John Moore contacted me about the possibility in late 2009, I had no idea it would last until late 2012 or that I would help create over 200 finished works of art on the project.

Gator Moore stars in this fun and exciting tale of a young graphic novelist who solves a high stakes crime while on a family vacation.  It's a live-action kids film, but includes seven semi-animated "motion comics" (or as we shortened it: "mocoms") to spice up the drama.  I worked on the mocoms.  

If you want to skip the rest of this post, you can see it all by streaming the movie online.  Or you can order the DVD which comes out in August.

While my teams and I made over 200 finished works of art, a lot more was made or gathered in the course of telling this story.  A lot more.  Over 10,000 files more.  Yeah, that's a lot.  I have 500 GB saved of Ace Wonder stuff.

Here is some of the stuff that we made:

Comic snippet for Mocom 1
Inspirational Comics
The script called for graphic novel sections of the film, but we didn't know what those would look like.  To help us get closer to that finished product, I sketched out some comics.  They helped us visualize the end product.  I'm really happy how they came out.

Concept for early Ace Wonder office
Concept art
The motion comics took place in a variety of locations and with a variety of different characters.  Inspirational comic books take a little bit of work, so I made some average ordinary concept art to flesh out the unknowns.

Alternative ending to Mocom 4 (the one in the movie is way better)
Storyboards
Johnny Reighard made most of the storyboards for the motion comics, but I and a few interns worked on others.  Nadine Voth interned with me in 2010 and some of her boarding is still in the film.

Refined storyboard for Mocom 2
Refined storyboards
We made a rough cut of the movie with some rough art.  I translated most of the storyboards into semi-finished monochromatic paintings.  They gave the film a more finished look, and allowed us to further define the composition and blocking of the finished motion comics.

Diagram to show how the hall elements fit together in Mocom 6
Animatics
David Bowman, Evan Langley, and Josiah Einwechter at Effects Forge created the motion of the motion comics.  But I did get in some early motion experimentation.  None of my After Effects work made it in the film.  But it was a good learning experience.

The layers allow the effects artists to create depth and motion.
This helped the illustrators understand how we were layering this image from Mocom 1.
Educational material
We formed 3 teams of freelance artists (4 if you count the 2010 interns) over the course of the project, and they needed to know exactly what I needed from them.  I created tutorials to detail the process for making consistent artwork that could be seamlessly blended together.

Blueprint for an amazing steampunk shower
Props for the live action film
Our hero drew graphic novels, so he needed to make artwork.  I created art that he could "draw" in the movie.  A few artists, including the Alaskan Albert Mauga, and I also created "blueprints" for inventions that are briefly shown in the movie.

Old version of a semi-finished credits image
Credits
An extreme honor, I enjoyed making the end credits artwork.  

A lot of very talented artists helped me make the finished artwork.  Here are some of the main artists and where you can see some of their work:

Jessica Ellen Lindsey - one of the first artists I dragged onto this project, she's always making something fun, including her new line of cute animal greeting cards!

Louis Roybal III - an illustrator and concept artist, he creates heroic, majestic artwork. 

David Nielsen - with a great sense of style and strong work ethic, he’s since become more than a regular collaborator—he’s become a friend.

Ashley Parrow Letizia - a former schoolmate and intern who creates lovely artwork.

Breezy Brookshire - creator of whimsical children's books.

Here are a few of the other artists who helped out, a couple who were invaluable!
Kelly Reins - if you see any bricks or a fabulous empty cafe in early motion comics, you can thank her!
Victor Noordhoek - the doer of many little things that amounted to a great deal
Rebecca Sharkey 
Tony Monk 
Rigo Sabillon
Noah Basle


In the coming weeks I'll release more concept art and BTS material here on the blog and on my Patreon page.  The sketch that started my epic Ace Wonder journey is there, and many more will be posted in the next couple months.

Again, the DVD arrives in August, but you can watch it now by streaming it online.  Enjoy!

2014/06/07

One Month Anniversary for my Sketch Club!

I had little idea what to expect when I started on this little journey a month ago.  I still don't know, but now I have a nifty little timeline of 30+ paintings and drawings from the past month.  I don't know how it happened and I had no idea how much fun I would have drawing these.  I recommend it to every artist out there.

Here is a small sampling of my favorite sketches from this past month.


Patreon First Month Retrospective

Here are a few of my favorite sketches and paintings from this last month.  Enjoy!

Hovering and Hanging
Every once in a while I have a strange idea that just sort of hits me. If it's a plot idea, I have a running idea file where I put these potential plots and now I have over 400. But I didn't have a place for visual ideas. At least, I didn't until a month ago.  

One month ago I created this sketch club on Patreon and I have really enjoyed it. It's been a very busy month with a lot of unusual travel, and some unusual weather conditions. But I've been grateful for this little place that I can carve out these ideas and post them. I don't have brilliant ideas all that often, but when I do, this acts as incentive for me to jot them down before they vanish into the ether of our lives.  

So I'm not sure what this is about. Maybe someday I'll have a story attached to it. Right now it's just a fanciful flight of wonder. I hope you enjoy it.


Sunset Across the Fields
The other night, I saw the sun set from the upstairs window at my grandparents' dairy farm. It was so gorgeous that I knew I needed to paint it.



First Sketch
When I was breaking in my tablet last year, this was the first sketch I made. I really like the tree....


Mousipede Reads
Based off of the "Rodentipillar" sketch. It was just a fun idea. :)


Given
#1 Inspirational Time Travel Poster Idea


Geronilope Herd
I think it hit me early in the morning in the middle of last week, and when I thought of it, I laughed out loud. I hope you enjoy it as much as I did!


Just Graduated
My brother just walked across the stage to get his diploma from DTS! Now he's recovering....


Destination Options
WIthout this sketch club, this painting would not exist. Thank you for being there, being my incentive to finish this. 

This was one of those ideas that I thought was nice, but had a hard time painting it. Knowing that you guys were out there, I persevered. 

I saw this early Friday morning, driving to Pensacola. It was beautiful and arresting seeing the moon sitting there at the top of the hill.   

I tried to paint it Saturday night from memory, but it didn't look right. Finally this morning at 3 or 4, it finally came together.


Earnings Analysis

Gross Earnings: $22.75
CC Fees: $1.58
Patreon percentage: $1.18
Net: $19.99
Sketches and Paintings: 32

Which works out to roughly 0.6246875¢ per sketch or painting.  As you can see, I'm not doing this for the money!

Instead, I'm doing this to build a sketching habit.  Right now I have an idea file where I put all of my story ideas, and I've got about 400+ good, bad, and ugly plot fragments in there.  However, they are all word-based, or relational-based.  I want to create a regular habit of making interesting visual ideas.  This sketch club helps me do that.

At $8.75 per week, I'm really close to reaching my first milestone ($15 a week).  When we reach that goal, I'm going to be creating a sketch of an exotic animal—possibly something from deep in the jungle... or from deeper in the ocean—and sending it to my patrons.  (And I'll get windshield wipers for my car!)

To help reach that first milestone, I'm introducing a new level of patronage: Zinc Level!  Zinc level starts at $5 a week and allows Zinc patrons to suggest sketch ideas. A few times a month, I'll sift through the ideas and pick an interesting idea to draw for y'all.

Where will we go in the next year?  I don't really know.... Join my sketch club to let's find out together!
http://www.patreon.com/MatthewSample2?ty=c

2014/04/14

Memoir of a First Time Film Festival Volunteer

©2014 Gabriel Hudelson

As a fan of the now monthly Media Talk 101 podcast, I rejoiced when I heard about their Christian Worldview Film Festival. It conveniently sprung up in the same time and place as a certain well-loved but now-defunct film festival. They didn't take over, they merely stepped into the gap. I can't think of any other group that I'd rather have put on such a unique event. 

However, any first time event on this scale will always test the mettle of the organizers—learning opportunities galore. I knew that they'd need a lot of volunteers. So I cleared my schedule—easy to do for freelancers sometimes—checked my bank accounts, and volunteered to help a few days early. 

I originally planned to wait until after an uncle's visit down here in Florida, but when he suddenly canceled, I threw my clothes hamper into my trunk and hit the road. I had no idea what obstacles lay in my way, or what feats I would be called upon to perform. A friend and I prayed just before I set out, knowing that any long trip like this could be dangerous—perhaps my last. And I did face death along the way. 

First, I drove through an ice storm. I-10 closed at the Mississippi just before I got there. I found a McDonald's, logged into their wifi, and plotted a new course through Baton Rouge. I reached 190 before it closed. As I drove across, ice chunks fell onto the road from the steel girders above. Ice coated the bridge, frozen in smooth washes along the sides. I watched as the countryside froze over, frost growing perceptibly on everything. I faced death that day, and am grateful both to have driven out of that cold country... and to have driven through it. The ice reminded me that I'm merely mortal and I carried that sobriety with me down to San Antonio.

Rhett and I in the pre-festival HQ.
©2014 http://www.photobygwen.com/

For the first week, I stayed with the Telfer family. They had quite a few guests from their former church in Illinois, and I enjoyed meeting them all. It's amazing how fast you can get to know people in a relatively short amount of time. Each meal acted as an oasis from the busyness in which the entire family and all the guests congregated. We teased each other, prayed over the festival, discussed the weather up north, shared lessons learned over our short lives, and had some amazing, freshly-ground coffee. One of the fellows brought down some amazing decaf varieties, so even I partook of the bean.

Other than eating and carrying on polite conversation, my main tasks that first week consisted of film wrangling, taking over the Twitter account, and creating the venue map. The digital files for about 10 films hadn't arrived yet—due to weather bogging down the mail or other stuff—but we needed them to have a film festival! I contacted each of the filmmakers and made sure they sent us a copy of their film either overnight or via an online sharing platform (Dropbox, Google Drive, etc.). Film wrangling involves me being as annoying as possible so the filmmakers will send in their work and be done with me. Surprisingly, I connected with a young filmmaker named Brett Varvel, the son of an editorial cartoonist that I visited when I was a teenager—a sort of hero of mine. It's great to hear that they are serving Jesus! I tried not to be so annoying to him. Actually, it was a lot of fun and I was able to connect with some old friends.

When I took over the Twitter account, a total of 4 tweets sat in it's little archive of tweets tweeted. I set out to rectify that right away. However, I'm used to tweeting my own personal thoughts—I've never done any corporate tweeting. I wanted to make sure that my tweets reflected Media Talk 101's mission and style. I also wanted to make sure I tweeted the correct information. I know I made some mistakes along the way, but I did my best! 

I love making maps, so I loved making the venue map. When I first saw the church's map, I didn't understand what was going on. So I drove down to the venue, found the front door, walked to the info desk, and talked with a worker there. From that brief experience, I changed the map to reflect how the Guild and the Festival would use the space. However, within 10 minutes of walking around after we gained access to the building the Monday night before the Guild started, I knew that the map had issues. But it was done. Should we be at this venue next year, the map shall be tweaked.

On Sunday I enjoyed the Telfer's church. Phillip pastors with Richard "Little Bear" Wheeler, Al Mendenhall, and another guy who leads worship. I go to a very conservative Reformed Baptist church (KJV only, old hymns, women wearing skirts), and it most definitely was not that, but it was good. I worshipped and sought the Lord with my fellow believers, the body of Christ. At the end of the service, Rich Swingle presented a drama on the ministry of Eric Liddel from the perspective of a Chinese student who hated him. Rich worked hard that Sunday! I didn't see a dry eye at the end of his drama. Later, we all regrouped at the Telfers, enjoyed a quiet evening, held a little prayer time, and held our breaths....

@2014 http://www.photobygwen.com/

As we entered the venue on Monday evening, we all had adrenaline pumping through our systems. A friend likened it to feeling a wave forming and getting ready to ride that wave. You could taste that thrill like... warm corn chips fresh off the presses. (Not having experience surfing... I do have experience eating fresh potato chips at a Lay's chip factory. It may not be as exciting to y'all, but believe me, my teenage self thought it sheer glory.) Honestly, I did feel an impending doom—I was in over my head. If Phillip doubted, however, I never saw it. Kathleen Fowl (a fellow relocated-IAHE-convention-veteran!), did not seem fazed at all. Juan Rivera and Andrew Koch worked miracles. And Rhett—I really enjoyed getting to know him better and working alongside him.

During this week my responsibilities shifted. I retained the helm at Twitter, and tried to tweet/favorite/retweet whenever I had the chance, but now I was also in charge of transportation for the speakers (the man in charge of that suddenly needed to go out of state), and I hosted a workshop room and the Loft during the film festival. I also created slides for screens that were out in the halls, but it was Thursday or Friday before I finished those, and I don't think anyone noticed! But that's ok.

Transportation turned into a lot of work. We had a couple of folks who needed rides from the airport that required me to hop in the car and run to the airport real quick. I got lost in San Antonio with John Fornof and his nephew. Thankfully he had GPS! By the time I picked up Rich Christiano, I looked like I kinda knew what I was doing. By the time everyone left, I had a calendar and had doublechecked everything, and I think they all made their flights. At least... I haven't heard any different!

Daniel Knudsen in the Loft.  I didn't host this lecture, but I'm sure it was great!
©2014 Samuel Crowe

I hosted the Planning room for the Guild and the Loft for the Festival. I merely needed to greet everyone, tell them to turn their cellphones off or if they must take a call to take it in the hall, and to open in prayer. After that, I tried to take my advice! I think I was the only person who regularly took calls out in the hall. We had a series of little emergencies that began tapering off midmorning on Wednesday. I'm now working my way through the audio files—getting to experience the festival as everyone else did! I could only sit through Nathan Webster's entertaining and enlightening talk—totally worth it. I missed all of the General Sessions, so I'm catching up on those. I've finally gotten caught up on what I missed from Paul Hastings lecture—he also kindly emailed me his notes. 

When we switched from the Guild format to watching films for the Festival, I moved to the Loft and began hosting for films instead of speakers. The emergencies had mostly dissipated, but I had enough on my plate that I didn't get to see an entire film... 

Except for Wednesday night when I invited myself to see the rough cut of Paul Munger's Princess Cut. He has a great film there. Now, it's a romance, so guys, you've been forewarned, but it's a good romance. Paul did a great job at it. I can see the finished product shining through beautifully. I hope it does well at the festival next year! I also enjoyed the exquisite stuffed Texas quail. 

I was prepared to wear multiple hats for the award ceremony, but all I had to do is get the ball rolling on award winner photos and free popcorn for the masses and other people took care of all that stuff. For the award ceremony, I just tweeted the results.

After the ceremony, that's when the excitement started. We had to be out of the building by a certain time, so we bribed the masses with a meet-and-greet the award winners in the courtyard outside and free popcorn. Then we cleaned up! After we finished clearing everything out, I hung out with a couple friends, and then headed back to my host family...

©2014 Ivy Schexsnayder

It's been a few weeks since the awards. I feel like something very special has happened that may never happen again, though I wish it would. I plan to help recreate this special event next year, but it can't truly be recreated: it will go on, but it will never by brand new like this. And I saw it from behind the scenes—a rare and priceless privilege.

Other than a feeling, what have I taken away from this experience?

First things first... I now have refillable ink cartridges for my printer. Ask Rhett for more details. (Apparently Media Talk 101 saves thousands of dollars every year, just by refilling ink cartridges instead of buying new replacements.)

Secondly, I have some wonderful new friendships. It's amazing how fast you can get to know someone when you are battling and worshipping with them. Singing "Bless the Lord, oh my soul" with Phillip and Rhett in HQ on the drizzly Saturday morning, knowing that we needed everyone out of the building immediately after the awards that night, still echoes deep in my mind.

Gabriel Hudelson and I discussing faith and an upcoming album cover.
Third, I loved talking about spiritual things with people. Talking with a younger artist, Samuel Rivera, about art inevitably led to talking about our great Creator—the One in whom innovation truly begins and ends. Rich Christiano challenged me to serve Jesus with all of my heart. I talked about protecting your soul and providing for your family with Nathan Ashton, about the frailty and preciousness of our local churches with Grace Pennington, about iconclasm and aesthetics with Monica Tull, about eschatology and imaging God with Gabriel Huddelson, and about a whole bunch of stuff with Rhett and Phillip.

Fourth,watching Phillip care for and carve out time for his kids was worth the trip. I've wondered how to manage that as a freelancer, and I really enjoyed seeing it in practice. 

Fifth, ministry is precious. I'm glad I went into the week reminded of my mortality. Dying daily is hard to do, and I failed at it quite a few times over those couple weeks. I got prideful, thoughtless, lazy, sported bad attitudes, and kept having to die to all that. On the trip out to the Festival, I may have almost met my end, but when I came to the end of myself, I needed to actively sacrifice myself and my desires. It's very rewarding to expend myself for others, in the name of Christ. May He increase, and may I decrease.



A lot of people have thanked me, as if I had done something great. I'm aware that I was helpful, but I'm also aware that others could have easily filled my role. I'm also haunted by the idea that I did not go on this trip accidentally, that it was prepared for me—and that's a humbling thought. I wonder how I did in comparison with the eternal expectations on my trip. But through all of that, I feel a deep sense of gratitude to God who led me through those intense two weeks. I found them filled with hard work, good friends, and the wonder of following a kind Lord.

2014/03/28

God's Great Plan

It's high time I updated my blog.  It's not like I've been twiddling my thumbs all these months.  I've seen 3 books published, have moved across the country, moved my parents to a new house, and volunteered for half a month for a film festival (more on the #CWVFF in a later post...), plus a few other excitements.  But I've wanted to blog this post for quite some time.  Today is the day!




A book always takes it's illustrator on a little journey.  About a year ago I set off on the journey that became God's Great Plan.  During the process I went through times of exhilaration and depression as I worked through the themes and struggled to capture the breadth and depth of the content in the beautiful little poem.

I first have to say a great thank you to Joe Fogarty.  One of these books would not have been illustrated by me if he had not prodded me to contact a Christian rap artist, Timothy Brindle.  Timothy saw my work and passed me on to Shepherd Press.  SP asked me to illustrate a poem....  So before I get into that, thank you Joe and Timothy.  This book would not be what it is today without you guys.

Rick Irvin from SP worked with me to create the illustrations.  I set out to bring out as much meaning from the text as possible.  I was surprised as anyone how the book became more than I could have done on my own.


Grandpa
Who is the Old Man?
A lot of people ask me who the old man is.  They guess that it might be me.  It's actually my grandpa on my mom's side.  But he wasn't always in the book.  The poem actually does not call for a narrator. 

I added Grandpa to connect immediately to the children with familiar visuals.  The grandfather and his grandkids add a context that children can understand.  In our day and age, grandparents often must step in and provide discipline and spiritual guidance to children whose parents relinquish those roles. 

On top of that reality, I also wanted to encourage grandparents to talk about their faith multigenerationally.  Godly grandparents are an important part of a family's life.

By adding the modern-day characters, I could bounce back and forth between the Bible story and the application of it's truths to our modern lives.  This story does affect us, and I really liked finding ways to express it's effects.


Adam emerging from dust
The Creation of Adam
As I set out to make the creation sequence, I wanted to do something different than what I had seen others do with creating man.  After throwing around a couple ideas, I pictured God forming Adam from dust as it was pulled up from the ground in a sort of controlled whirlwind.  I could try to justify it by referencing God's control over the elements, but mostly I thought it looked cool.

Fun Fact: At one time Adam had facial hair, but a clean-shaven face won in office ballot!  


Variations of serpent
The Evolution of the Serpent
We worked really hard on the serpent.  We wanted to create something that looks beautiful to look at, but evil.  Children needed to understand visually that Eve is doing the wrong thing by listening to the serpent, no matter how beautiful it looked.  Finally we got the right look.


An evil world is a dangerous world
Showing Evil and Judgment at a Child's Level
When we showed the effects of sin, I wanted to make it clear in ways that children could understand.  Part of that lay in choosing what sins to display: I chose meanness, arguing, and stealing.  Another part lay in showing the context: sin is shown with danger, fear, and pain.  A final part lay in bringing it to the modern day: immediately after showing the surreal ancient court room, I show the grandfather confronting his guilty grandchildren.  We each need to understand that the horror of evil is not that others do evil to us, but that we carry evil in our hearts.

I worry sometimes that I went to far, though.  In realizing evil this way, I hope I don't give kids nightmares!


Color sketches for the book
The Darkness Before the Dawn 
After we had mostly finalized the sketches, I put together a color scheme for the book.  I tried to make the colors I used interpret the content of the book in an emotional way.

For instance, we use bright happy colors when talking about creation, but as sin enters, we transition to dark pages with odd color combinations.  

Original concept for nativity page
Originally, I gradually lightened the images moving from sin's entry through Jesus' work on earth.  However, Rick asked to put in a nativity illustration at the beginning of Jesus' life.  I was skeptical at first, but it really worked out beautifully!  It created a darkness before the dawn moment, successfully bookending the display of evil section with a hopeful look to God's salvation.

Lesson: always listen to your editor.


A sketch of the crucifixion which didn't make it into the book
The Image of God
When I painted Jesus, I intended to make a non-white, middle-eastern version that still looks similar to what we white folks think of when we think of Jesus.  I'm honestly not sure I succeeded.  

However, I was not prepared for potentially losing out in a bigger battle: honoring the image of God.  After the book was published, some dear Christian brothers talked to me about the issue.  I really appreciate it, and I will be handling imaging Christ much differently in the future.

In the 10 commandments, we are told to not create an image of God, because no man had seen God.  That is, nobody did until Jesus came to earth.  Just think about the disciples walking with, eating with, talking with the God of the universe!  The problem is: none of them sketched him, painted him, sculpted him, or even wrote down a description of him!  So we still don't know what God looks like--even in human form.

We humans have a problem with making and worshipping idols.  I tried to handle the images in such a way that the figure that I used to represent Christ pointed to His historicity and message.  But I'm contemplating going farther the next time I need to paint a Biblical scene: paint it without showing anyone standing in for Christ, but showing him just off screen or from behind or showing a metaphor... or something.  I'm still mulling it over.


Christ's healing power is visually compared with the Holy Spirit's life transforming power in the believer
Building Visual Metaphors Across the Story
Metaphors allow us to see things that we don't express in words.  As the story goes on, I build a visual palette that I then draw on at the end of the story.  For instance, in the section dealing with the effects of sin, I show a man pushing another man; toward the end of the book when showing how our sin put Christ on the cross, I then showing the brother pushing his sister in the exact same pose.  I hope that children pick up on those things and find their place in the story.


Men praying in the first batch of sketches for the book
My Hope for This Book
More than anything else I've ever done, I think this book reflects my own personal convictions.  It's rare to get to work on something so real to me.  

It also convicted me as I worked on it.  I haven't reached perfection yet, and covering the story from sin to redemption will always move me profoundly.  

I hope that the story moves both the reader and those being read to, that the visuals bring out the truth and make it come alive, and that we would be transformed by the truth of Christ.

P.S. To get a copy, go to: http://www.shepherdpress.com/product/gods-great-plan/

2013/08/08

Sharkasaurus

From what I hear... it's Shark Week.

So, in honor of the event, here's a nifty shark-o-saurus that I quickly sketched from life, the last time I visited the ZMS (Zoo of Mad Scientists).  I highly recommend a visit, if you have the time and are in the area.

Oh, and don't pet the animals.

2013/04/15

Quick Portrait Sketching!

Whew!  I tried to get into gear with some quick portrait sketches last week.  I'm still pretty slow, but I'll be working harder to get faster.

At a Wednesday painting group, I sketched Rev. Thomas, very happy to get so much done in only two sessions (approx 40-45 min.):



Then on Thursday night I went over to John Ball's to paint Brittany with his group.  I was surprised to do a quick 20 min sketch!



Then on Saturday I fought with a very bright day at the Laurel Hill Spring Arts Festival, and sketched a couple of new friends.  While I was working on them they looked kind of like this:



But when I was able to get them into the light they looked much better:



Both were approx. 15 minutes, and both were talking and moving around, so I think I did good considering.  Still I'm still practicing, trying to get better.  I have yet to master the quick portrait sketch.

2013/04/05

George Washington App BTS

Confession: a major reason I worked on this app project was to collaborate with an artist.  

David Nielsen is a like minded artist—also an illustrator—sharing many of my faith and ideals.  But at the same time we have major differences.  Our styles, for instance, are very different.  In fact that was one of the things I was going to see if we could overcome over the course of this project.  

Here's our process:



After reading the story, I started with a sketch.  This is from a moment in young George Washington's life, when he first encountered military combat.



Second, David created value and color studies based on my drawings.



Of course it's slightly more complicated than paint by number....  




I took his color study and finished out all the details to make the finished painting.




This scene is from the American Revolution as the Colonial forces fought some of the best military powers in the world.  In the battle at Trenton, they fought against German mercenary troops in house to house combat on a snowy morning.



Preston Cone, one of the founders of the Founding Fathers Project, modeled for this shot in colonial garb!



Daniel worked on this, changing the perspective and creating some cool harmonies.  I took it from him before he could really get going though...



The finished shot.  Played with the perspective a lot more.  (Yes, I have both the walking and getting-shot Hessians on this pic.  It's a little confusing right now, but it's not in the app.)




At the end of the American War for Independence, Washington gathered his troops together for a very moving dinner together.





David's value and color study... 






And the finished painted.  




We did a lot more work that didn't make it into the app.  Maybe at some anniversary in the future, we can come back and hit some of these really interesting moments in the Washington saga....


Young George Washington and his Native American allies.  Color study for an illustration which did not make the book.



The Hessians surrendering at Trenton.  I'd love to see this finished with the falling snow and all.


Perhaps at that later date, David and I can go back and touch up some of the artwork.  But on the whole, I'm very satisfied with what we got done here.


I think we were successful, but you be the judge.  Try out the app.  What do you think?